Mouni Roy surprised the audience in ‘Salakar’, presented the most impressive performance of his career

When Farooq Kabir’s series ‘Salakar’ was announced, the audience expected a traditional espionage thriller with trusted actors like Naveen Kasturia in the lead role. But he did not think that Mouni Roy would emerge as a secret weapon of this series.

With an impressive and depth-filled performance, which establishes Mouni Roy not only a well-known face, but as a strong artist. In the series, Mouni Roy is seen as ‘Maryam’ aka ‘Shrishti’. Who is an undercover raw agent working in the dangerous area of Pakistan.

Mouni’s character is not only limited to the external glamor of espionage, but also brings out the mental and emotional price that an agent has to pay to live a dual life. Mouni puts this complexity very truth and closely on the screen.

His beauty is in his balanced and restrained performance. Shrishti Chaturvedi aka Maryam, as ‘Smoldering Concert’ reflected in Mouni Roy’s eyes, becomes a permanent sense of his face. It is not a traditional Bollywood detective, which depends only on a bang action or drama revelations.

Maryam is a character who looks dangerous due to her intelligence and emotional depth – also delicate and life -threatening. Maryam, who is trapped amidst personal desires and patriotism, cherishes her Indian original nature by playing her Pakistani identity, creates an interesting duality that gives emotional strength to the story.

Mouni’s ability makes this performance special, which makes Mary a memorable and depth character despite espionage boundaries. Mouni herself said that Maryam is not just courageous, but complex, complicated and very strong character. Even after the last episode of the series, the thing that remains in the mind of the audience is Mouni Roy’s ‘Maryam’ – not just a detective, but a person who holds his existence even in impossible circumstances.

This role is not only one of the best works of Mouni Roy, but it is such a transformative role. Which gives a new definition to the direction of an actor’s career and proves that the real star is associated with the impression left by him, not by spending time on the power screen.