Dilip Kumar, made from Yusuf Khan, made a special identity among the audience with strong acting

In Bollywood, Dilip Kumar’s name is remembered as an actor who made his indelible identity on the hearts of cine lovers with his strong acting and tremendous dialogue payment. On 11 December 1922, Peshawar was now Pakistan-born Yusuf Khan alias Dilip Kumar, the third child of his parents’ 13 children. He received his early education from Pune and Delaly.

After this, Dilip Kumar started sharing his hand in the business of his father Ghulam Sarwar Khan. After a few days, Dilip Kumar left this work and started running canteen in Pune due to lack of mind in the business of fruit. In 1943, she met Devika Rani, an administrator of Bombay Talkies, who invited her talent to come to Mumbai. At first, Dilip Kumar took this matter lightly, but later he decided to meet Devika Rani due to the uproar in the canteen business.

Devika Rani suggested Yusuf Khan that if she changes her film name, she can give her as an actor as an actor. Devika Rani asked Yusuf Khan to choose one of Vasudev, Jahangir and Dilip Kumar. Dilip Kumar started his cine career as an actor from the film Jowar Bhata released in 1944.

After the failure of the film Jowar Bhata, Dilip Kumar worked as an actor in some B and C grade films like Pratima, Anokha Pyaar, Naqa Dubi but did not benefit from these films. After the success of the 1948 film Mela released in 1948 after struggling in Mumbai for four years, Dilip Kumar managed to make him in the film industry.

Looking at Dilip Kumar’s cine career, he will find that he made many characters alive by performing diverse acts in films. This is the reason why comedian Om Prakash, seeing the acting of Dilip Kumar in the film man, said, ‘Not sure, the fun can go up to so many Buladis.’ The same foreign tourists looking at his acting in films starring say, ‘There is only two things in India, one Taj Mahal is another Dilip Kumar’.

In Dilip Kumar’s cine career, her pairing was well liked with actress Madhubala. During the production of the film Tarana, Madhubala started to love Dilip Kumar. He sent his dress designer with a rose flower and a letter to Dilip Kumar with a message that if he also loves him, keep it with him and Dilip Kumar gladly accepted the flower and letter.

BR displayed in the year 1957 Madhubala was selected for the role of the heroine with Dilip Kumar in Chopra’s film Naya Era and the film was to be shot in Mumbai, but later the producer of the film felt that it was necessary to shoot in Bhopal as well. Madhubala’s father Ataullah Khan refused to allow the daughter to go out of Mumbai. He felt that on going out of Mumbai, the love and love between Madhubala and Dilip Kumar would climb and he was not ready for it.

Later BR Chopra had to replace Vyjayanti Mala in place of Madhubala. Ataullah Khan later took the matter to court and after that he refused Madhubala to work with Dilip Kumar and it was here that the pair of Dilip Kumar and Madhubala separated from here. In the year 1960, another important film of Dilip Kumar’s cine career was released.

K. on the historical background. In this film on the love story of Salim-Anarkali under the direction of Asif, Dilip Kumar brought the role of Shahzade Salim to the silver screen, while Anarkali was Madhubala in the role. Through the film Ganga Jamuna released in 1961, Dilip Kumar also stepped into the field of filmmaking. In the film Ganga Jamuna, Dilip Kumar mixed Hindi and Bhojpuri and their use was quite successful.

The film also acted by his brother Nasir Khan along with Dilip Kumar. After the success of the film, Dilip Kumar also decided to make the film but due to the evil ride of the invoices, he again resulted in making a film.

In 1966, Dilip Kumar married film actress Saira Bano. The film Ram and Shyam Dilip Kumar, released in 1967, proved to be another superhit film of the cine career. In this film based on the story of two Judwan brothers, Dilip Kumar won the hearts of the audience by playing dual roles as Dabbu and fearless. Later, with inspiration from the film Ram and Shyam, the filmmakers produced many double -role films.

After the failure of the film Bairag released in 1976, Dilip Kumar opted out of the film industry for almost five years. In the year 1980, at the behest of filmmaker -director Manoj Kumar, Dilip Kumar started the second innings of his cine career as a character actor in the film revolution. With his powerful character in the film, Dilip Kumar once again made the film a superhit by making the audience beautiful.

The film Shakti, released in the year 1982, is included in the best classic films of the Hindi film industry. In this film, Dilip Kumar and Amitabh Bachchan worked together for the first time and thrilled the audience. Amitabh Bachchan could have difficulty working in front of any artist, but Amitabh Bachchan also faced many problems in working with Dilip Kumar in the film Shakti.

Recalling a scene of the film Shakti, Amitabh Bachchan had said that when Dilip Kumar keeps following him in the film’s climax, he has to look back, when he does so, he does not see Dilip Kumar’s eyes and there are many retakes of this scene. Dilip Kumar is recorded in the name of Dilip Kumar to receive the most film fair award as the best actor in the Hindi film industry. Dilip Kumar was awarded the Filmfare Award eight times in his cine career.

In view of the important contribution of Dilip Kumar in the film world, he was awarded the Dadasaheb Phalke Award, the highest honor of the film industry in the year 1994. Apart from this, the Government of Pakistan honored him with the highest honor Nishan-e-Imtiaz. In the year 1980, Dilip Kumar was appointed as Sheriff in Mumbai.

In the film industry, Dilip Kumar was among the few few actor who believed his quality more than the number of films, so he acted in about 60 films in his six decades of cine career. On 7 July 2021, Dilip Kumar said goodbye to this world.